The premise of the film may be very old but the sincere effort of the entire cast makes it watchable, writes Paresh C Palicha.

Fahadh Faasil is in top form in Maheshinte Prathikaaram, feels Paresh C Palicha.

Monsoon Mangoes is pretentious and looks tacky as most of frames are jaded, warns Paresh C Palicha.

Paresh C Palicha wonders why Malgudi Days has so many subplots when the main idea itself was good enough for a film.

Not much imagination has gone into developing the plot of Adi Kapyare Koottamani!

You will enjoy 2 Countries only if you're a Dileep fan, says Paresh C Palicha.

Here's what Paresh C Palicha has to say about the Malayalam movie Charlie.

The humour in Rockstar waters down the impact of some of the serious issues being raised, writes Paresh C Palicha.

Rajamma @ Yahoo leaves the viewer confused, writes Paresh C Palicha.

SuSu Sudhi Vathmeekam handles the subject of physical limitations judiciously without trying to manipulate a viewer's emotions, writes Paresh C Palicha.

Anarkali is a mixture of old and new world of storytelling.

Serving a bitter pill dipped in sweetener may look good on paper but in Salt Mango Tree, the taste is disproportional, writes Paresh C Palicha.

'My aim as an actor is to make the audience believe that the person they are seeing on screen is not me but the character.' Parvathy discusses her real-life character role in Ennu Ninte Moideen.

Rima Kallingal and Manju Warrier give powerhouse performances in Rani Padmini, raves Paresh C Palicha.

Kanal turns out to be an average effort even though Mohanlal does his best to salvage it, says Paresh C Palicha.

Lord Livingstone 7000 Kandi is a tiring watch, warns Paresh C Palicha.

The director successfully maintains a fine balance among the three leading men in Amar Akbar Anthony, says Paresh C Palicha.

Pathemaari brings Mammootty back to his brilliant form, writes Paresh C Palicha.

'Oraalppokkam is open to interpretation and therein lies its appeal.'

Kohinoor lacks the sparkle, feels Paresh C Palicha.